Securing the future of the Park is the key challenge for the Trust.
Mike's task now is to carry forward the final stages of the restoration and ensure the sustainability of the Park for years to come.
Funding over the years has come from a combination of major and minor grants, plus donations from individual benefactors. Some £20 million has been raised from these sources, but keeping the Park's finances evenly balanced while funding further restoration remains an issue.
‘When I became involved, we took the decision that over the next couple of years we had to stabilise the finances of the park, ‘ says Mike. ‘We didn't feel that we were in a position to push forward with more restoration: we had enough on our hands looking after what we had on a limited budget.'
Visitor numbers have been building gradually, reaching 74,000 last year, and there was also a 44 per cent increase in membership. The Park is particularly popular among dog-walkers and local mums with young children.
‘The good thing about Painshill is that it's an evolving piece of art, and therefore there's always something new, whether it's in the landscape or the buildings, for people to come back again,' says Mike.
The optimum annual visitor number for the Park is 100,000, but more important is the spread as the landscape can only accommodate around 2000 people per day comfortably. Bank holidays are an important time for boosting ticket sales, but Painshill is particularly vulnerable to the weather, as it has no associated house as an alternative to the park, and visitors simply stay away if it rains.

The Hermitage, Painshill Park,
reconstructed in 2007.
Photograph by Mike Gove,
August 2008. Copyright
Mike Gove.
When I became involved, we took the decision that over the next couple of years we had to stabilise the finances of the park, ‘

A photograph of the interior of the Grotto at
Painshill Park by Fred Holmes, June 2006.
The picture shows the new stalactites of lath
and plaster on a frame of green oak.
Copyright Fred Holmes.
‘The good thing about Painshill is that it's an evolving piece of art, and therefore there's always something new, whether it's in the landscape or the buildings, for people to come back again,'